an entire city in tears
singing jazz and rhythm
and jazz and the blues,
singing rhythm & jazz & the blues.
an entire city in tears
walking asphalt
with hands held
like walkways
between towers,
twisting the wind into whirlwinds of sound
& a red handkerchief flicking on the wind,
whipping & lifting the sound of the wind
& the necks of the crying
in one motion, one
waving, swaying, lilting, loving manyperson,
singing rhythm & jazz & the blues.
an entire city in tears
craning from windows & weeping,
sweeping the dust dragged past the parks
with their eyes.
with their eyes: dust-dragged
past the parks with woodchips & leaves.
with their eyes: worshipping
the centre of a congregation of walking widows
& widowers, craned to the windows
wearing black pockets & white handkerchiefs.
white handkerchiefs pointing at windows
with each proud breath from the chests of the mourners,
defiant & proud as the man that they follow,
the man that they swallow & carry
in a loud, black box through the streets --
singing rhythm & jazz & the blues.
an entire city in tears
& smattered with rain.
faces & coats & umbrellas & an old dog
pooled in the tears of the clouds like cities,
drinking the sky & coating the ground
in faces & puddles & an old dog,
bedraggled & dragging behind the umbrella,
but both low & howling,
low & coated,
faces pooling in black-leather-shoe shaped patches of asphalt
soon to be coated with the sighs
& the padding rhythm of the dog,
black shorn claws following that box
coating the patches with howling,
singing rhythm & jazz & the blues.
but, i've got you, dog,
claws beaten back
by the shadows of umbrellas.
i've got you, dog,
if your bark becomes wooden
& the city cannot see you.
i've got you when your coat becomes matted
with the stares of mourners from windows
& you can't lift the first paw
in your leap to that box.
i'll be ready with opposable thumbs
to open the lid & lift it, to lift those paws
& the prints that you left in the asphalt.
i've got you when your tongue has lolled long in the dirt
& the mites you've collected
are lighting bonfires in your chest
with the splinters from every time you bark,
& they're dancing there, slack & jumbled like
your legs all those years ago. & now, joints clacking
like lipless trumpets preparing the dirge,
they're stomping the splinters with bloodless souls,
open & pumping the air they release,
pumping the air through their bodies,
like lipless trumpets preparing the dirge
singing rhythm & jazz & the blues.














Comments
--
The spirit is the purest part of your body
i don't wanna be banned for nothin mah sistahs
--
you're a writer? *fotoFRIDAY
<zebrazebrazebra>MY TUSHY IS CUSHY FOR THE PUSHY
There's something wickedly morbid about that last image - the dead dog with the mites n ticks n fleas singing and dancing inside it. I love it.
Anyway, I do not feel qualified to say anything too constructive about this, except, perhaps, that I like it.
--
And Louise holds a handful of rain, tempting you to defy it...
thank you regardless. & yes, &. mmm. a bridge as opposed to a moat.
--
you're a writer? *fotoFRIDAY
<zebrazebrazebra>MY TUSHY IS CUSHY FOR THE PUSHY
--
And Louise holds a handful of rain, tempting you to defy it...
--
you're a writer? *fotoFRIDAY
<zebrazebrazebra>MY TUSHY IS CUSHY FOR THE PUSHY
--
And Louise holds a handful of rain, tempting you to defy it...
--
you're a writer? *fotoFRIDAY
<zebrazebrazebra>MY TUSHY IS CUSHY FOR THE PUSHY
--
And Louise holds a handful of rain, tempting you to defy it...
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